Carole Perdereau (FR)
Dancer and choreographer, she began her choreographic research in 1999. Her approach is oriented towards the practice of insistent and non-evolving situations. She is interested in trying to amplify and distort real time. At the same time, as a performer, she works with several choreographers, in particula, Loïc Touzé, Jocelyn Cottencin, Laurent Pichaud, Fabienne Compet, Pierre Droulers … .
Carole Perdereau (FR): L’Assaut
For the first time in residence at BUDA, she’ll work on the remake of L’Assaut (The Assault, 2014), based on the text The assault of the waving sword from the novel La vie dans les plis (Henri Michaux).
The text is a starting point, a source for the singing voice, a call for a drift, a perceptual experience, a path, a resistance. The activity is minimal, failing as well as brave, brazen as well as fearful. An overlap between what the author has written, what is read and what is interpreted. It is an attempt to make one receptive for a scripture. What are the resonances, the impact of words on gestures?
|Carole Perdereau (FR): Ouest||18.03.2019 - 29.03.2019||Budatoren|
|Carole Perdereau (FR): Premier Présent||22.05.2021 - 29.05.2021||Budatoren|